LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
Baltic Triennial 13: Give Up the Ghost
Artistic director: Vincent Honoré
2018.05.11-08.12
Tallinn Art Hall (Kunstihoone) 29 June – 2 September, 2018
kim? Contemporary Art Centre, Riga 21 September – 18 November, 2018
Contemporary Art Centre (CAC), Vilnius is inviting you to the first chapter of Baltic Triennial 13 – GIVE UP THE GHOST. The opening weekend will include an evening of performances on Friday, 11 May as well as a public programme on Saturday, 12 May (programme below).
BT13 in Vilnius includes works by Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanondchai, Darja Bajagić, Olga Balema, Nina Beier, Huma Bhabha, Dora Budor, Miriam Cahn, Jayne Cortez, Melvin Edwards, Daiga Grantina, Max Hooper Schneider, Anna Hulačová, Pierre Huyghe, E’wao Kagoshima, Sanya Kantarovsky, Ella Kruglyanskaya, Benoît Maire, Katja Novitskova, Pakui Hardware, Anu Põder, Laure Prouvost, Ieva Rojūtė, Rachel Rose, Augustas Serapinas and Michael E. Smith alongside performances celebrating the Triennial.
The Baltic Triennial has historically taken place at the CAC Vilnius only. For its 13th edition, it will – for the first time – be organised by and happen in Lithuania, Estonia (opening on June 29th) and Latvia (opening on September 21st), where the Triennial will take the form of three different chapters and include different artists.
Baltic Triennial 13 is informed by a shared concern: what does it mean to belong at a time of fractured identities? BT13 – GIVE UP THE GHOST will unfold through and with this very question, careful not to offer a single or illustrative response. Instead, it opts for a collective vision of what is at stake: independence and dependency—and everything that lies in between—to territories, cultures, classes, histories, bodies and forms. The fluctuating notion of belonging, which can be understood to exist within the conceptual and formal framework of a relationship, allows us to think beyond identity as something fixed, self-contained and essentialised.
The exhibition in Vilnius, set within an ambitious architectural intervention designed by architect Diogo Passarinho, and which will considerably change the institution by opening it up and reconfiguring the entire space, tackles the concept of belonging by bringing together unstable territories and bodies. A large number of works have been commissioned especially for the exhibition: Anna Hulačová creates a monument in the form of a fountain; Dora Budor takes over the space surrounding the terrace and turns it into a futuristic desolate landscape inhabited by animatronic birds; Augustas Serapinas has worked with a local community to address the heritage of the nuclear industry; Sanya Kantarovsky premieres a group of new, unique works; Daiga Grantina has created a large group of sculptures; Melvin Edwards revisits one of their iconic barbed wire pieces from the 1970s; Laure Prouvost creates an immersive installation in the form of a landscape; Pakui Hardware produce new works addressing technology and human perception; Ieva Rojūtė installs two new murals; Michael E. Smith infiltrates the space with sculptures and videos; Caroline Achaintre produces large-scale new sculptures… These commissions are accompanied by loans, shown for the first time in Vilnius, of important works by: Darja Bajagić, Nina Beier, Huma Bhabha, Miriam Cahn, Jayne Cortez, Melvin Edwards, Pierre Huyghe, E’wao Kagoshima, Ella Kruglyanskaya, Katja Novitskova, Max Hooper Schneider, Anu Põder and Rachel Rose. Drawings, paintings, installations, videos, music, texts, performances form a polyphony addressing the multiple artistic strategies of our time.
Organisers:
Contemporary Art Centre (CAC), Vilnius, Lithuania; Kim? Contemporary Art Centre, Riga, Latvia; Centre for Contemporary Art Estonia (CCAE), Tallinn, Estonia
Curatorial Team:
Dina Akhmadeeva, Canan Batur, Neringa Bumbliene, Cédric Fauq, Anya Harrison
Architect:
Diogo Passarinho
Photography:
Andrej Vasilenko
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
LAURE PROUVOST A Way To Leak, Lick, Leek, 2016, Installation, Dimensions variable, Courtesy the artist
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker, Dimensions variable, Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker, Dimensions variable, Courtesy the artist and New Galerie, Paris
Architecture by Diogo Passarinho, works by AUGUSTAS SERAPINAS and DARJA BAJAGIĆ
Architecture by Diogo Passarinho, works by AUGUSTAS SERAPINAS and DARJA BAJAGIĆ
MELVIN EDWARDS Ethopia, 2002 Welded steel 33 x 21 x 11.5 cm, Double Gong, 1989 Welded steel 29 x 18 x 25 cm, Festac 77 Lagos Reunion, 1974 Welded steel 21 x 19 x 30 cm, Courtesy Stephen Friedman Gallery, London
MELVIN EDWARDS Ethopia, 2002 Welded steel 33 x 21 x 11.5 cm, Double Gong, 1989 Welded steel 29 x 18 x 25 cm, Festac 77 Lagos Reunion, 1974 Welded steel 21 x 19 x 30 cm, Courtesy Stephen Friedman Gallery, London
AUGUSTAS SERAPINAS Vygintas, Kirilas and Semionovas, 2018 Installation, used wood and part of the building of the Ignalina Nuclear Power Plant, PVC flooring Dimensions variable Courtesy the artist; Emalin, London and Apalazzo Gallery, Brescia
AUGUSTAS SERAPINAS Vygintas, Kirilas and Semionovas, 2018 Installation, used wood and part of the building of the Ignalina Nuclear Power Plant, PVC flooring Dimensions variable Courtesy the artist; Emalin, London and Apalazzo Gallery, Brescia
Architecture by DIOGO PASSARINHO, works by DARJA BAJAGIĆ and MIRIAN CAHN
MIRIAM CAHN Schlafen, 1997 Oil on canvas 13 paintings Dimensions variable Courtesy Galerie Jocelyn Wolff, Paris and Meyer Riegger, Karlsruhe
MIRIAM CAHN Schlafen, 1997 Oil on canvas 13 paintings Dimensions variable Courtesy Galerie Jocelyn Wolff, Paris and Meyer Riegger, Karlsruhe
MIRIAM CAHN Schlafen, 1997 Oil on canvas 13 paintings Dimensions variable Courtesy Galerie Jocelyn Wolff, Paris and Meyer Riegger, Karlsruhe
DARJA BAJAGIĆ Molly 5 (Woods), 2016 UV printed aluminium-brushed Dibond with motion activated liquid mechanism and shaped MDF frame container, acrylic paint, canvas 100 x 79 x 7 cm Courtesy Carlos/Ishikawa, London
DARJA BAJAGIĆ Molly 5 (Woods), 2016 UV printed aluminium-brushed Dibond with motion activated liquid mechanism and shaped MDF frame container, acrylic paint, canvas 100 x 79 x 7 cm Courtesy Carlos/Ishikawa, London
Architecture by DIOGO PASSARINHO, works by OLGA BALEMA (left), CAROLINE ACHAINTRE (right)
Architecture by DIOGO PASSARINHO, works by DARJA BAJAGIĆ, AUGUSTAS SERAPINAS and MELVIN EDWARDS
DARJA BAJAGIĆ Molly 4 (Dagger), 2016 UV printed aluminium-brushed Dibond with motion activated liquid mechanism and shaped MDF frame container, acrylic paint, canvas 86 x 56.5 x 7 cm Courtesy Carlos/Ishikawa, London
Architecture by DIOGO PASSARINHO
Works by MELVIN EDWARDS
Architecture by DIOGO PASSARINHO, works by DARJA BAJAGIĆ, AUGUSTAS SERAPINAS and MELVIN EDWARDS
CAROLINE ACHAINTRE Wicked Wicker I, 2018 310 x 290 cm, Wicked Wicker II, 2018 310 x 260 cm, Wicked Wicker III, 2018 310 x 200 cm, Courtesy the artist
CAROLINE ACHAINTRE Wicked Wicker I, 2018 310 x 290 cm, Wicked Wicker II, 2018 310 x 260 cm, Wicked Wicker III, 2018 310 x 200 cm, Courtesy the artist
CAROLINE ACHAINTRE Wicked Wicker I, 2018 310 x 290 cm, Wicked Wicker II, 2018 310 x 260 cm, Wicked Wicker III, 2018 310 x 200 cm, Courtesy the artist
CAROLINE ACHAINTRE Wicked Wicker I, 2018 310 x 290 cm, Wicked Wicker II, 2018 310 x 260 cm, Wicked Wicker III, 2018 310 x 200 cm, Courtesy the artist
PIERRE HUYGHE The Host and The Cloud, 2009-2010 HD video, colour, surround sound 2h. 1min 30 sec Courtesy the artist, Marian Goodman Gallery, New York/Paris
PIERRE HUYGHE The Host and The Cloud, 2009-2010 HD video, colour, surround sound 2h. 1min 30 sec Courtesy the artist, Marian Goodman Gallery, New York/Paris
MELVIN EDWARDS Look through minds mirror distance and measure time – Jayne Cortez, 1970 Barbed wire Dimensions variable Courtesy Stephen Friedman Gallery, London and Alexander Gray Associates, New York
MELVIN EDWARDS Look through minds mirror distance and measure time – Jayne Cortez, 1970 Barbed wire Dimensions variable Courtesy Stephen Friedman Gallery, London and Alexander Gray Associates, New York
MELVIN EDWARDS Look through minds mirror distance and measure time – Jayne Cortez, 1970 Barbed wire Dimensions variable Courtesy Stephen Friedman Gallery, London and Alexander Gray Associates, New York
Architecture by DIOGO PASSARINHO, works by NINA BEIER, MELVIN EDWARDS and KATJA NOVITSKOVA
Architecture by DIOGO PASSARINHO, works by NINA BEIER, MELVIN EDWARDS and KATJA NOVITSKOVA
Architecture by DIOGO PASSARINHO, works by NINA BEIER, MELVIN EDWARDS, KATJA NOVITSKOVA and CAROLINE ACHAINTRE
KATJA NOVITSKOVA Mamaroo Brain 1 and 2, 2018 Electronic baby swing, robotic bugs, plastic hoses, lasers, epoxy clay, Digital print, polyurethane resin, aluminium folding stand 146 x 95 x 94 cm and 142 x 97 x 75 cm All works courtesy the artist and Kraupa Tuskany Zeidler, Berlin
Architecture by DIOGO PASSARINHO, works by DAIGA GRANTINA
Architecture by DIOGO PASSARINHO, works by NINA BEIER and ANU PÕDER
Architecture by DIOGO PASSARINHO, works by NINA BEIER, MELVIN EDWARDS, CAROLINE ACHAINTRE and KATJA NOVITSKOVA
Architecture by DIOGO PASSARINHO, works by DAIGA GRANTINA and EVGENY ANTUFIEV
MELVIN EDWARDS Untitled Portrait of Jayne, 1974 Wool 228 x 300 cm Courtesy Stephen Friedman Gallery
KATJA NOVITSKOVA Mamaroo Brain 1 and 2, 2018 Electronic baby swing, robotic bugs, plastic hoses, lasers, epoxy clay, Digital print, polyurethane resin, aluminium folding stand 146 x 95 x 94 cm and 142 x 97 x 75 cm All works courtesy the artist and Kraupa Tuskany Zeidler, Berlin
E‘WAO KAGOSHIMA Untitled, 1978 Graphite and ink on paper 76.2 x 55.9 cm Courtesy Galerie Gregor Staiger, Zürich and Greenspon Gallery, New York
Works by E‘WAO KAGOSHIMA and CAROLINE ACHAINTRE
E‘WAO KAGOSHIMA Untitled, 1981 Charcoal, pastel, and metallic paint on paper 76.2 x 55.9 cm — X-4, 1978 Graphite, charcoal, pastel on paper 76 x 56 cm. All works courtesy Galerie Gregor Staiger, Zürich and Greenspon Gallery, New York
MAX HOOPER SCHNEIDER Plasm(0)void 7 (Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm — Plasm(0)void 11(Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm. All works courtesy the artist and High Art, Paris
MAX HOOPER SCHNEIDER Plasm(0)void 7 (Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm — Plasm(0)void 11(Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm. All works courtesy the artist and High Art, Paris
MAX HOOPER SCHNEIDER Plasm(0)void 7 (Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm — Plasm(0)void 11(Uranium Germ), 2017 Borosilicate oviform, uranium glass embryo sculpture, noble gas mixture, high-voltage electrode, repurposed trash can 48.3 x 48.3 x 117 cm. All works courtesy the artist and High Art, Paris
NINA BEIER Automobile, 2017 Two remote control vehicles (black Range Rover) and human hair 17 x 21 x 43 cm each Courtesy the artist and STANDARD (OSLO), Oslo
NINA BEIER Automobile, 2017 Two remote control vehicles (black Range Rover) and human hair 17 x 21 x 43 cm each Courtesy the artist and STANDARD (OSLO), Oslo
NINA BEIER Automobile, 2017 Two remote control vehicles (black Range Rover) and human hair 17 x 21 x 43 cm each Courtesy the artist and STANDARD (OSLO), Oslo
KATJA NOVITSKOVA Mamaroo Brain 1 and 2, 2018 Electronic baby swing, robotic bugs, plastic hoses, lasers, epoxy clay, Digital print, polyurethane resin, aluminium folding stand 146 x 95 x 94 cm and 142 x 97 x 75 cm All works courtesy the artist and Kraupa Tuskany Zeidler, Berlin
KATJA NOVITSKOVA Mamaroo Brain 1 and 2, 2018 Electronic baby swing, robotic bugs, plastic hoses, lasers, epoxy clay, Digital print, polyurethane resin, aluminium folding stand 146 x 95 x 94 cm and 142 x 97 x 75 cm All works courtesy the artist and Kraupa Tuskany Zeidler, Berlin
KATJA NOVITSKOVA Mamaroo Brain 1 and 2, 2018 Electronic baby swing, robotic bugs, plastic hoses, lasers, epoxy clay, Digital print, polyurethane resin, aluminium folding stand 146 x 95 x 94 cm and 142 x 97 x 75 cm All works courtesy the artist and Kraupa Tuskany Zeidler, Berlin
AUGUSTAS SERAPINAS Vygintas, Kirilas and Semionovas, 2018 Installation, used wood and part of the building of the Ignalina Nuclear Power Plant, PVC flooring Dimensions variable Courtesy the artist; Emalin, London and Apalazzo Gallery, Brescia
ANU PÕDER Tongues, 1998-2018 Installation made of soap, water and tin bowl 3 x 25 x 13 cm each tongue Courtesy Art Museum of Estonia
ANU PÕDER Tongues, 1998-2018 Installation made of soap, water and tin bowl 3 x 25 x 13 cm each tongue Courtesy Art Museum of Estonia
ANU PÕDER Tongues, 1998-2018 Installation made of soap, water and tin bowl 3 x 25 x 13 cm each tongue Courtesy Art Museum of Estonia
ANU PÕDER Tongues, 1998-2018 Installation made of soap, water and tin bowl 3 x 25 x 13 cm each tongue Courtesy Art Museum of Estonia
Architecture by DIOGO PASSARINHO, works by ANU PÕDER and OLGA BALEMA
DAIGA GRANTINA Male mov., 2018 Coating, flax, foam, resin, metal, rubber, pigment 35 x 45 x 100 cm, Gag wif, 2018 Flax, coating, cardboard, pigment 55 x 55 x 30 cm, Li Li, 2018 Coating, wood, fabric, metal, rubber, plastic 50 x 50 x 130 cm, Sleep low, 2017 Plastic fabric, resin, wire 200 x 80 x 80 cm
All works courtesy the artist and Galerie Joseph Tang, Paris
RACHEL ROSE A Minute Ago, 2014 HD Video, 8:43 min Courtesy the artist and Pilar Corrias, London
RACHEL ROSE A Minute Ago, 2014 HD Video, 8:43 min Courtesy the artist and Pilar Corrias, London
RACHEL ROSE A Minute Ago, 2014 HD Video, 8:43 min Courtesy the artist and Pilar Corrias, London
OLGA BALEMA Everybody and their mother, 2016 Map, latex, pigment, acrylic paint 135 x 152 x 15 cm, Motherfucker, 2016 Map, latex, pigment, acrylic paint 73 x 110 x 12 cm, Failure is the mother of success, 2016 Map, latex, pigment, acrylic paint 135 x 170 x 5 cm. All works courtesy Galerie Fons Welters, Amsterdam
ANU PÕDER Tongues, 1998-2018 Installation made of soap, water and tin bowl 3 x 25 x 13 cm each tongue Courtesy Art Museum of Estonia
Architecture by DIOGO PASSARINHO, works by ANU PÕDER and OLGA BALEMA
OLGA BALEMA Everybody and their mother, 2016 Map, latex, pigment, acrylic paint 135 x 152 x 15 cm, Motherfucker, 2016 Map, latex, pigment, acrylic paint 73 x 110 x 12 cm, Failure is the mother of success, 2016 Map, latex, pigment, acrylic paint 135 x 170 x 5 cm. All works courtesy Galerie Fons Welters, Amsterdam
Architecture by DIOGO PASSARINHO, works by ANU PÕDER and OLGA BALEMA
Architecture by DIOGO PASSARINHO, works by ANU PÕDER and OLGA BALEMA
DAIGA GRANTINA Male mov., 2018 Coating, flax, foam, resin, metal, rubber, pigment 35 x 45 x 100 cm, Gag wif, 2018 Flax, coating, cardboard, pigment 55 x 55 x 30 cm, Li Li, 2018 Coating, wood, fabric, metal, rubber, plastic 50 x 50 x 130 cm, Sleep low, 2017 Plastic fabric, resin, wire 200 x 80 x 80 cm. All works courtesy the artist and Galerie Joseph Tang, Paris
DAIGA GRANTINA Male mov., 2018 Coating, flax, foam, resin, metal, rubber, pigment 35 x 45 x 100 cm, Gag wif, 2018 Flax, coating, cardboard, pigment 55 x 55 x 30 cm, Li Li, 2018 Coating, wood, fabric, metal, rubber, plastic 50 x 50 x 130 cm, Sleep low, 2017 Plastic fabric, resin, wire 200 x 80 x 80 cm. All works courtesy the artist and Galerie Joseph Tang, Paris
DAIGA GRANTINA Male mov., 2018 Coating, flax, foam, resin, metal, rubber, pigment 35 x 45 x 100 cm, Gag wif, 2018 Flax, coating, cardboard, pigment 55 x 55 x 30 cm, Li Li, 2018 Coating, wood, fabric, metal, rubber, plastic 50 x 50 x 130 cm, Sleep low, 2017 Plastic fabric, resin, wire 200 x 80 x 80 cm
All works courtesy the artist and Galerie Joseph Tang, Paris
DAIGA GRANTINA Male mov., 2018 Coating, flax, foam, resin, metal, rubber, pigment 35 x 45 x 100 cm, Gag wif, 2018 Flax, coating, cardboard, pigment 55 x 55 x 30 cm, Li Li, 2018 Coating, wood, fabric, metal, rubber, plastic 50 x 50 x 130 cm, Sleep low, 2017 Plastic fabric, resin, wire 200 x 80 x 80 cm
All works courtesy the artist and Galerie Joseph Tang, Paris
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
EVGENY ANTUFIEV Untitled, 2016 Brass 22.5 x 17.5 cm, Untitled, 2017 Wood, paint, gold brass 59 x 28 x 25 cm, Untitled, 2017 Ceramic, glaze, patina 46 x 33 x 33 cm, Untitled, 2017 Ceramic, glaze, patina 51 x 34 x 34 cm, Untitled, 2017 Ceramic, glaze, patina 22 x 11 x 11 cm; 16 x 8.5 x 9 cm; 24 x 13 x 11 x cm; 21 x 10 x 10 cm, Untitled, 2017 Ceramic, glaze, patina 43 x 22 x 23 cm, Untitled, 2017 Ceramic, glaze, patina 105 x 39 x 3.5 cm, Untitled, 2017 Ceramic, glaze, patina 45 x 45 x 60 cm, Untitled, 2017 Ceramic, glaze, patina 65 x 40 x 35 cm, Untitled, 2017 Enamel and acrylic on wood and brass, fired clay, amber, ostrich feather 71 x 20 x 20 cm. All works courtesy Emalin, London
E‘WAO KAGOSHIMA Iibidoll no. 1, 1985 Oil on canvas 122 x 122 x 6 cm Courtesy Galerie Gregor Staiger, Zürich and Greenspon Gallery, New York
Architecture by DIOGO PASSARINHO, works by EVGENY ANTUFIEV
Architecture by DIOGO PASSARINHO, works by DAIGA GRANTINA, E‘WAO KAGOSHIMA
Architecture by DIOGO PASSARINHO
Architecture by DIOGO PASSARINHO, works by EVGENY ANTUFIEV
Architecture by DIOGO PASSARINHO, works by EVGENY ANTUFIEV
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ANNA HULAČOVÁ Underworld Upside Down, 2018 Mixed media Dimensions variable Courtesy the artist and hunt kastner, Prague
ELLA KRUGLYANSKAYA Eighties Bather, 2008 Egg tempera on panel 76.2 x 61 cm, Still Life with Accessories and Bananas, 2010 Egg tempera, oil and oil bar on panel 62.2 x 45.7 cm, Eye Bag and Lip Bag, 2009 Egg tempera on panel 40.6 x 61 cm. All works courtesy the artist and Gavin Brown‘s enterprise, New York/Rome
ELLA KRUGLYANSKAYA Eighties Bather, 2008 Egg tempera on panel 76.2 x 61 cm, Still Life with Accessories and Bananas, 2010 Egg tempera, oil and oil bar on panel 62.2 x 45.7 cm, Eye Bag and Lip Bag, 2009 Egg tempera on panel 40.6 x 61 cm. All works courtesy the artist and Gavin Brown‘s enterprise, New York/Rome
KORAKRIT ARUNANONDCHAI With history in a room filled with people with funny names 4, 2017 23 min 32 sec HD video and installation Courtesy the artist
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
IEVA ROJŪTĖ One Thing, You Are Slippery, 2018 Mixed media Dimensions variable Courtesy the artist
IEVA ROJŪTĖ One Thing, You Are Slippery, 2018 Mixed media Dimensions variable Courtesy the artist
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
IEVA ROJŪTĖ One Thing, You Are Slippery, 2018 Mixed media Dimensions variable Courtesy the artist
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
Works by PAKUI HARDWARE and IEVA ROJŪTĖ
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
IEVA ROJŪTĖ One Thing, You Are Slippery, 2018 Mixed media Dimensions variable Courtesy the artist
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
PAKUI HARDWARE The Return of Sweetness, 2018 Glass object, heat-treated PVC, textile fabric, latex, silicone, chia seeds, cables Dimensions variable Courtesy the artists; EXILE, Berlin
Architecture by DIOGO PASSARINHO, works by CAROLINE ACHAINTRE
HUMA BHABHA Host, 2015 Styrofoam, clay, wood, wire, acrylic, paint, aluminium, pine cones 124.6 x 52.4 x 91.8 cm Courtesy the artist and CLEARING Gallery, Brussles/New York, HUMA BHABHA Untitled, 2010 Cork, wood, acrylic paint 172.7 x 45.7 x 30.5 cm Courtesy the artist and Salon 94, New York
CAROLINE ACHAINTRE Lee Vee Double D., 2016 Ceramic, leather 80 x 37 x 13.5 cm. Courtesy Arcade, London, Got-a-Roma, 2016 Ceramic 51 x 50 x 8.5 cm Courtesy Arcade, London, Monmec, 2017 Enamelled porcelain 30 x 30 x 27 cm Courtesy the artist and Art : Concept, Paris
CAROLINE ACHAINTRE Lee Vee Double D., 2016 Ceramic, leather 80 x 37 x 13.5 cm. Courtesy Arcade, London, Got-a-Roma, 2016 Ceramic 51 x 50 x 8.5 cm Courtesy Arcade, London, Monmec, 2017 Enamelled porcelain 30 x 30 x 27 cm Courtesy the artist and Art : Concept, Paris
CAROLINE ACHAINTRE Lee Vee Double D., 2016 Ceramic, leather 80 x 37 x 13.5 cm. Courtesy Arcade, London, Got-a-Roma, 2016 Ceramic 51 x 50 x 8.5 cm Courtesy Arcade, London, Monmec, 2017 Enamelled porcelain 30 x 30 x 27 cm Courtesy the artist and Art : Concept, Paris
HUMA BHABHA Host, 2015 Styrofoam, clay, wood, wire, acrylic, paint, aluminium, pine cones 124.6 x 52.4 x 91.8 cm Courtesy the artist and CLEARING Gallery, Brussles/New York, HUMA BHABHA Untitled, 2010 Cork, wood, acrylic paint 172.7 x 45.7 x 30.5 cm Courtesy the artist and Salon 94, New York
CAROLINE ACHAINTRE Lee Vee Double D., 2016 Ceramic, leather 80 x 37 x 13.5 cm. Courtesy Arcade, London, Got-a-Roma, 2016 Ceramic 51 x 50 x 8.5 cm Courtesy Arcade, London, Monmec, 2017 Enamelled porcelain 30 x 30 x 27 cm Courtesy the artist and Art : Concept, Paris
SANYA KANTAROVSKY More Great Please Again, 2018 Monotype 55.6 x 44.8 cm, Honey (Brown), 2018 Woodcut and watercolour 56.2 x 46.2 cm, Gironde, 2018 Monotype 55.9 x 45.6 cm, Fear of a Black Hat, 2018 Monotype 55.4 x 44.9 cm, Situation He Can‘t Possibly Begin to Describe, 2018 Monotype 55.9 x 45.1 cm, Exequy, 2018 Monotype 55.7 x 45.7 cm, Charlotte II, 2018 Monotype 55.9 x 45.7 cm, Arrangement, 2018 Monotype 55.9 x 45.7 cm, Removal II, 2018 Monotype 55.9 x 45.7 cm, Sponge, 2018 Monotype 55.9 x 45.7 cm, Deep in This Pear, 2018 Monotype 55.9 x 45.7 cm, Virgin, 2018 Monotype 55.9 x 45.7 cm, Akaki, 2018 Monotype 55.9 x 45.7 cm, Pissoires, 2018 Monotype 55.9 x 45.7 cm, Christ in the Dessert, 2018 Monotype 55.9 x 45.9. All works courtesy the artist and Luhring Augustine, New York
SANYA KANTAROVSKY More Great Please Again, 2018 Monotype 55.6 x 44.8 cm, Honey (Brown), 2018 Woodcut and watercolour 56.2 x 46.2 cm, Gironde, 2018 Monotype 55.9 x 45.6 cm, Fear of a Black Hat, 2018 Monotype 55.4 x 44.9 cm, Situation He Can‘t Possibly Begin to Describe, 2018 Monotype 55.9 x 45.1 cm, Exequy, 2018 Monotype 55.7 x 45.7 cm, Charlotte II, 2018 Monotype 55.9 x 45.7 cm, Arrangement, 2018 Monotype 55.9 x 45.7 cm, Removal II, 2018 Monotype 55.9 x 45.7 cm, Sponge, 2018 Monotype 55.9 x 45.7 cm, Deep in This Pear, 2018 Monotype 55.9 x 45.7 cm, Virgin, 2018 Monotype 55.9 x 45.7 cm, Akaki, 2018 Monotype 55.9 x 45.7 cm, Pissoires, 2018 Monotype 55.9 x 45.7 cm, Christ in the Dessert, 2018 Monotype 55.9 x 45.9. All works courtesy the artist and Luhring Augustine, New York
SANYA KANTAROVSKY More Great Please Again, 2018 Monotype 55.6 x 44.8 cm, Honey (Brown), 2018 Woodcut and watercolour 56.2 x 46.2 cm, Gironde, 2018 Monotype 55.9 x 45.6 cm, Fear of a Black Hat, 2018 Monotype 55.4 x 44.9 cm, Situation He Can‘t Possibly Begin to Describe, 2018 Monotype 55.9 x 45.1 cm, Exequy, 2018 Monotype 55.7 x 45.7 cm, Charlotte II, 2018 Monotype 55.9 x 45.7 cm, Arrangement, 2018 Monotype 55.9 x 45.7 cm, Removal II, 2018 Monotype 55.9 x 45.7 cm, Sponge, 2018 Monotype 55.9 x 45.7 cm, Deep in This Pear, 2018 Monotype 55.9 x 45.7 cm, Virgin, 2018 Monotype 55.9 x 45.7 cm, Akaki, 2018 Monotype 55.9 x 45.7 cm, Pissoires, 2018 Monotype 55.9 x 45.7 cm, Christ in the Dessert, 2018 Monotype 55.9 x 45.9. All works courtesy the artist and Luhring Augustine, New York
Architecture by DIOGO PASSARINHO
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
DORA BUDOR The Preserving Machine, 2018 Special effect dust (diatomaceous earth), tinted window gels, demolished wall from the former exhibition, optical sensing computer system, hardware, biomimetic robot bird, caretaker Dimensions variable Courtesy the artist and New Galerie, Paris
MICHAEL E. SMITH Untitled, 2017 Laser, cellphone, LSD, plastic Dimensions variable, Untitled, 2018 Skunks, plastic, metal Dimensions variable, Untitled, 2018 SD Video, found footage, 16:9, colour, silent, loop. All works courtesy the artist and KOW, Berlin
Works by BENOÎT MAIRE and MICHAEL E. SMITH
Works by BENOÎT MAIRE and MICHAEL E. SMITH
MICHAEL E. SMITH Untitled, 2017 Laser, cellphone, LSD, plastic Dimensions variable, Untitled, 2018 Skunks, plastic, metal Dimensions variable, Untitled, 2018 SD Video, found footage, 16:9, colour, silent, loop. All works courtesy the artist and KOW, Berlin
MICHAEL E. SMITH Untitled, 2017 Laser, cellphone, LSD, plastic Dimensions variable, Untitled, 2018 Skunks, plastic, metal Dimensions variable, Untitled, 2018 SD Video, found footage, 16:9, colour, silent, loop. All works courtesy the artist and KOW, Berlin
MICHAEL E. SMITH Untitled, 2017 Laser, cellphone, LSD, plastic Dimensions variable, Untitled, 2018 Skunks, plastic, metal Dimensions variable, Untitled, 2018 SD Video, found footage, 16:9, colour, silent, loop. All works courtesy the artist and KOW, Berlin
MICHAEL E. SMITH Untitled, 2017 Laser, cellphone, LSD, plastic Dimensions variable, Untitled, 2018 Skunks, plastic, metal Dimensions variable, Untitled, 2018 SD Video, found footage, 16:9, colour, silent, loop. All works courtesy the artist and KOW, Berlin
BENOÎT MAIRE Society, 2018 Installation on 3 tables with sculptures made of brass, fossils, crystal and shells and suspensijon Dimensions variable Courtesy the artist
JAYNE CORTEZ Celebrations and Solitudes, 1974 Courtesy the Estate of Jayne Cortez
JAYNE CORTEZ Celebrations and Solitudes, 1974 Courtesy the Estate of Jayne Cortez
JAYNE CORTEZ Celebrations and Solitudes, 1974 Courtesy the Estate of Jayne Cortez
JAYNE CORTEZ Celebrations and Solitudes, 1974 Courtesy the Estate of Jayne Cortez
Architecture by DIOGO PASSARINHO
Architecture by DIOGO PASSARINHO
Architecture by DIOGO PASSARINHO
