Not long ago the future of painting was debated, and its peculiar semiotics and cultural function were discussed in texts like Douglas Crimp’s “The End of Painting” and Yve-Alain Bois’ “Painting as Model”. Today, on the contrary, the popularity of painting is becoming self-evident once again, even to the point of seemingly not requiring further … Continue reading Photo reportage from the exhibition ‘Painting And the Model’ at Medūza