I associate the view of the sea with early adolescence. I liked to be by the sea in late autumn, especially just before the sky grew dark, because it seemed threatening, because it was an all-encompassing sea, silencing my ignorance and my inability to be with myself and my feelings. It’s a kind of romance. … Continue reading ‘Our Works no Longer Scream’. An interview with Maria Matiashova and Dima Tolkachov