Covering Japanese animation, German clash art-design, and Estonian seminal solo, the contents of Kumu’s early-April offerings all exhibit symptoms of curatorial distress. Taken as one drawn out experience, as with any such institutional gluttony, the gallery goer comes away similarly infected. A case of cognitive dissonance, not neccesarily negative, but dissonant whatever. Raoul Kurvitz’ career … Continue reading Kumu, April 2013 – multiple curatorial disorder