Inquirers. PhD series: Lina Michelkevičė on Participatory Practices in Lithuanian Contemporary Art: Between Aesthetic and Social Reality

2014 12 02 / 6 pm
Participation is among those prevalent contemporary art buzzwords that occupy a firm place in the vocabulary of artists, curators and art critics yet are more than often used without a clear motivation. Trapped by the appealing epithet, one often leaves

Dubious Friendships. On the “(Re)construction of Friendship” exhibition in Riga

This summer the group exhibition “(Re)construction of friendship” was site-specifically installed at the Corner House in Riga, the main building of the State Security Committee (SSC) until 1991 and one of the key attractions of “Riga 2014”. The mediated reconstruction

Photo reportage from “Part of a Larger Whole. Lithuanian Contemporary Art” opening in London

Cultural programme of the Lithuanian Presidency of the EU Council in London has kicked-off last week with the performance of the young accordionist Martynas Levickas performing with his band. The programme continued in the 12 Star Gallery, where the exhibition

Unsettle and redistribute

Disidentification [is] a removal from the naturalness of a place, the opening up of a subject space where anyone can be counted since it is the space where those of no account are counted, where a connection is made between

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BALTICS OUTSIDE BALTICS

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