I got up. I went to work in the morning. New York Fashion Week was still being held, but on a smaller scale. Designers sent models down the runway in face masks, gloves, and even scrubs, many branded with designer logos. The accessories industry exploded. The last show of Fashion Week was Marc Jacobs, whose spring collection eschewed obvious references to Shen Fever and aimed for something more subtle. Held at the Lexington Avenue Armory, the show featured the drop-waist, boxy dress silhouettes of 1920s flappers, rendered in muted shades of stone, black, baby blue, the gentlest seafoam. If these were party outfits, they were for the most somber party.
Most noticeably, the clothes incorporated translucent materials, from the cellophane organza of the tiered skirts to the see-through plastic of the boots and pumps, which left parts of the models’ bodies, incongruously, uncomfortably exposed. Reviewers commented on how the transparent features highlighted the way that we had all begun assessing each other’s bodies, in fruitless attempts to detect Shen Fever. Fashion was beside the point. We didn’t look at a woman to appreciate her outfit, we looked at her to evaluate her potential sickness.
At my desk on an especially uneventful afternoon (production jobs placed at Spectra were slowly drying up), I watched a video of a backstage interview. He spoke in his low, characteristic drawl: I didn’t want it to feel real.
– Ling Ma, Severance, (New York: Farrar, Straus and Giroux, 2018), pp. 211-12.
Rute Merk (b. 1991, Lithuania; lives and works in Berlin) received her BA in Painting from Vilnius Academy of Arts in 2013, and is acquiring her painting diploma at Akademie der Bildenden Künste, Munich. Solo exhibitions: Downs & Ross, New York; Gallery Vacancy, Shanghai; Vent Gallery, Vienna; Editorial, Vilnius. Selected group exhibitions: Kunstverein Munchen, Munich; Marburger Kunstverein, Marburg; Rupert, Vilnius; Contemporary Art Centre (CAC) Vilnius, Vilnius; 427 Gallery, Riga; Vartai Gallery, Vilnius; Art Hall, Talinn; Tate, Liverpool; Malmö Konsthall, Malmö. Her works are included in institutional collections internationally including M Woods, Beijing; Sifang Art Museum, Nanjing; and X Museum, Beijing.
Downs & Ross is pleased to be re-opening our gallery today, Wednesday, July 8, 2020, to inaugurate the presentation of the exhibition Rute Merk: SS20.
Portions of all proceeds from Rute Merk: SS20 are directed in support of the ACLU.
Because it is our priority to ensure the well-being of our visitors and staff, the number of visitors simultaneously present in the gallery will be limited. We ask that visitors understand that a mask need be worn to enter the gallery. Sanitizing gel will be made available at the gallery entrance, and a strict sanitizing schedule will be followed.
To ensure a smooth and personalized experience, though it is not necessary to make an appointment, please feel welcome to connect with us via email in advance of your visit.
Our Summer gallery hours are Wednesday – Friday, 11am – 6pm. We look forward to welcoming you back!