Latvian Contemporary Art Classics

Exhibition Light at the End of the Cable. Latvian Art in the Digital Era. Works from the state-owned collection of the future Latvian Museum of Contemporary Art (curator Helēna Demakova), Latvian Railway History Museum, 27.09–18.10.2016 While the Latvian Museum of

PSEUDO: parallel realities of a frozen goldfish

If you look at something individually you only see it, and nothing else. But if you look at several things together, you start to compare. The Contemporary Art Museum of Estonia (EKKM) presents a group exhibition curated by Marten Esko

The Ruins of Conservatism Standing On the Remnants of Liberalism. Sculpture Quadrennial Riga 2016

The Sculpture Quadrennial Riga has been running since 1972. At first, its goal was to display the latest works by sculptors from the Baltic soviet republics. Since 2004, the quadrennial has been organised by the Centre for Art Management and

Exercises in Perfection

Gymnastics has always seemed a serious enterprise to me. On my way to yoga classes some time ago, I used to regularly pass by a space one floor below where gymnasts trained. Unlike racket sports, which I had always felt

The Armature of Uncertain Situations

A review of Evita Vasiļjeva’s publication if you can’t, engage (published by kim? Contemporary Art Centre, 2016) “A book is a piece of architecture. We enter by opening its door, or title page, and move through it by turning the

…that little phrase by Vinteuil…

“What can be shown, cannot be said.” (Tractatus Logico-Philosophicus, 4.1212)   Halfway between the Contemporary Landscape exhibition at the Cēsis Art Festival, and Vienna’s ambitious claim to have hosted the first large-scale exhibition representing painting in the information age (the

Detachment from what? Network Architecture Lab’s [Kazys Varnelis and Leigha Dennis] exhibition ‘Detachment’ at the Contemporary Art Centre

The exhibitions displayed at the Contemporary Art Centre (June 17th – August 14th 2016) have evoked intrigue. Each of them dictated a different lens of understanding, which has taken some effort to open up the vast and problematic relations woven

E-motional trips by Ieva Epnere

… the experience itself has a satisfying emotional quality because it possesses internal integration and fulfillment reached through ordered and organized movement. This artistic structure may be immediately felt (John Dewey, Art as Experience). [1] These days, the emotional experience

Mooste Passages

Just like the exhibition Omega 3 is devoted to something that is dying out and past its ‘use-by’ date (it could be a certain form of agriculture, or a type of work organisation with the instrument and interiors that are

True copy of the original

  A review of the Signālpāri (Signaling Pairs) exhibition at the Office Gallery of the Latvian Centre for Contemporary Art (12 May to 5 August 2016), featuring Latvian poet, artist and Orbīta textgroup participant Artūrs Punte, and Russian new media

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