Blue Whale Society. A review of Dénes Farkas’ exhibition ‘How-to-calm-yourself-after-seeing-a-dead-body Techniques’

‘We postpone the unbreathable darkness that weighs us down.’[1] As Dénes Farkas is not the original owner of the memories exhibited, it is a viewer’s gaze we are offered: the viewers gaze at a viewer. We are gazing through Dénes’

I Touch, You Touch, We All Touch

  The women-only exhibition, I Touch Myself, by five Latvian women artists – Ingrīda Pičukāne, Rasa Jansone, Inga Meldere, Eva Vēvere and Anda Magone – was exhibited to museum-going audiences at the Latvian National Museum of Art from the 9th

Krista Dzudzilo’s exhibition ‘The Sixth Creation of the World’. Review by Jānis Taurens

‘Die Welt zerfällt in Tatsachen.’ (Tractatus Logico-Philosophicus, 1.2) One way to ‘write’ a review of Krista Dzudzilo’s The Sixth Creation of the World is to put on a recording of Gustav Mahler’s Symphony No 6, probably the first performance I

The Battle of the Amazons: Literature in Latvian Contemporary Art

… Ihr schatten, Groß, wie ein Riese, in der Morgensonne, Erschlägt ihn schon! … (Kleist. Penthesilea) To a certain extent, my essay has been written in the shadow of the Purvītis Prize and the exhibition featuring the artists who were

Reflections on Dissolution

Jānis Avotiņš’ solo exhibition Wanderers in Space-time (curator Sniedze Kāle), Mūkusala Art Salon, 3 February–11 March 2017 A rare opportunity to see artworks mostly circulated outside Latvia makes this show stand out within Riga’s exhibition scene. While Latvian art is

The metaphorical extinction of Latvia

Review of the exhibition ‘To My Homeland’ by Ivars Drulle Gallery Alma, 30.11.2016.-20.01.2017. Ivars Drulle’s exhibition To My Homeland invites his countrymen and foreigners alike to take a look at a theme no one really wants to discuss, think about

Beyond a Terra Incognita, on both Sides of the External. Under the Skin: a Contemporary Art and Experimental Music Project

Time sometimes happens to stand still. A sequence of spectacles turns into a long sharp-tailed train. Terribly swollen itch-mites suck out each allusion to any possible transcendence from every breath. In a situation of representational crisis, the surface terrain is

Caution: Family. Risk of Explosion!

Rasa Jansone, Families. Mummy Has a Hump. The Child’s Playing for Power. Daddy’s Protected by Someone. Cēsis Exhibition Hall from November 25th to December 31st. When wandering among these large-format portraits – all of them so charged and full of

Enlightenment in Time of the Dead

Often when intense fall commences and autumn enters its darkest days and nights, many towns and cities across the world embark on celebrating the festival of light. In October and November in Latvia, this period of contemplation is also known

Paintings that have nothing and need nothing

The first time I saw the work of Linas Jusionis wasn’t so long ago. While browsing and creating a virtual collection of the art I liked on the art website www.artsy.net, my eyes became accidentally drawn towards a piece by

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