Photo reportage from the exhibition 'Empty Coats' by August Krogan-Roley at Kogo gallery

September 16, 2019
Author Echo Gone Wrong

Kogo is pleased to announce Empty Coats, a solo exhibition by August Krogan-Roley. This marks the artist’s first solo exhibition with the gallery and in Estonia.

Blending the heraldic with the optical, August Krogan-Roley’s Empty Coats each present themselves as a pictorial game. Littered with cues – winding roads to follow, carved out recesses to occupy, and barriers mounted to intrusive vision – they stem from the artist’s ongoing interest in the compositional mechanics of world-building. One of the strongest influences upon this body of work is the organisation of pictorial space found in medieval coats of arms. In particular, carved stone artefacts in the Raidkivimuuseum (Carved Stone Museum) in Tallinn have exerted an important influence on the development of this body of work, although any reference to such objects are indirect. Krogan-Roley’s interest lies not so much in the specific information these artefacts have been coded with, but rather in the visual frameworks created to contain such information.

The apparent ‘emptiness’ of his coats of arms, their lack of an identifiable ceremonial or martial purpose, instead reflects the role this class of objects play as semiotic vehicles. Conventions such as the division of a surface into two or four separate areas were originally created as a way to accommodate ever more complex sets of social significations. Reflecting layers of genealogy, the inter-marriage of families, and titles bestowed upon individuals, heraldry had to accommodate ever-growing amounts of specific information. This is information that the Empty Coats deliberately removes in order to explore the dynamics of picture-making where such conventions afford. They repurpose heraldry for a secular age, rendering it in materials scoured from the artist’s nearby surroundings.

The exhibition is accompanied by August Krogan-Roley’s new artist’s book by the same title with 24 reproductions and a text by Neil Clements. The publication is designed by Indrek Sirkel and published by Lugemik. The international book launch will take place on September 21 at NY Art Book Fair 2019.

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August Krogan-Roley (USA, b.1986 in Minneapolis, MN) lives and works in Brooklyn, NY. He received a BFA in Painting and Printmaking at The Glasgow School of Art, Glasgow, UK. Krogan-Roley has held solo exhibitions at institutions including At Liberty, Hong Kong, CN; Ricou Gallery, Brussels, BE; Three Four Three Four Gallery, Brooklyn, NY; Soo Visual Arts Center, Minneapolis and Generator Projects, Dundee, UK. His work has been exhibited at venues such as Royal Scottish Academy, Edinburgh, UK; Kate Werble Gallery, New York, NY; The Glue Factory, Glasgow, UK; RATA Projects, New York, NY; and Shoreditch Town Hall, London, UK.

August Krogan-Roley
Empty Coats
23.08 – 5.10.2019
https://www.kogogallery.ee/en/  

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. From the left – Mith, Amm, Homas, all 2019. Carpet collages on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats, Illiams, 2017. Carpet collage on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats, Illiams, 2017. Carpet collage on vinyl. Photo by Madis Kats

xhibition view. August Krogan-Roley, Empty Coats. From the left – Illiams, Usso. Carpet collages on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats, from the left Ohnson, 2019, Ingh, 2018, Lack, 2018. Carpet collages on viunyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats, from the left Ohnson, 2019, Ingh, 2018, Lack, 2018. Carpet collages on viunyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. Photo by Madis Kats

August Krogan-Roley, Empty Coats. To Be Tread [Pink & Gray], 2019. Carpet collage on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

August Krogan-Roley, Empty Coats. Hite, 2017. Carpet collage on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats at Kogo. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. From the left Ang, 2017, Eyer, Lves, both 2018. Carpet collages on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. From the left Eyer, Lves, both 2018, Hite, 2017. Carpet collages on vinyl. Photo by Madis Kats

Exhibition view. August Krogan-Roley, Empty Coats. From the left Eyer, Lves, both 2018. Carpet collages on vinyl. Photo by Madis Kats