Signs of Apocalypse on the Beach. An interview with the artists Vaiva Grainytė, Lina Lapelytė and Rugilė Barzdžiukaitė

We already have the forecast for Venice in 2019: the summer will start hot and loud in the spring. The whole sandy beach, the burning sun, the blue sea and all the holidaymakers tanning themselves will be transferred to the

Questions from the non-creating artist J.L. to the artist A.T. at the beginning of her creative career, or an inverse interview between the art critic A.T. and the artist J.L.

The article is written by Juozas Laivys and Aušra Trakšelytė Almost every day we read curators’ writings, short or elaborate, poetic or descriptive, that accompany exhibitions. However, in the long preparatory process for an exhibition, which is the job of

A conversation with Mindaugas Gapševičius about self-repair and cohabitation with machines

I met Mindaugas Gapševičius (miga) and joined the Migrating Art Academies project that he initiated in 2013, followed by many further projects with Institutio Media. We have been communicating by email since then, using this abstracted and reduced means for

On Objects in Motion. Interview with Rūta Butkutė

While reading descriptions of your works I discovered that you are interested in „objects that are left in the streets“. If I understood it right, it was not so much about “status of the trash“ but rather about losing original

Life in the TerRatope. Interview with new media artist and scientific researcher Špela Petrič

Dr. Špela Petrič (1980), BSc, MA, lives in Ljubljana, Slovenia. Her artistic practice combines natural sciences, new media and performance. She is interested in all aspects of anthropocentrism; the reconstruction and reappropriation of scientific methodology in the context of cultural

Curating Creative Societies: A conversation with Vilma Jurkutė, the director of Alserkal Avenue

Vilma Jurkutė has a degree in International Business from Grenoble Graduate School of Business, and is currently pursuing her Executive Master’s in Sustainable Urban Development at Oxford University. Born in Klaipėda in Lithuania, Vilma has lived and worked in New

Invisible Structures. The cut of a stratosphere as a reflection of human values. An interview with the filmmaker Emilija Škarnulytė

The eyes are trying to cover glaciers in the Arctic Circle. The ears are catching quasar sounds. Dark waters are stirred by a hypnotizing creature. The head is dazzled by unimaginable industrial structures. Ultimately sounds come together with waves, images

Conversations with Smaug. An interview with the curators Saara Hacklin and Kati Kivinen

Šelda Puķīte: Let’s start with the title ‘There and Back Again’. Is that a conscious ‘Hobbit’ quote? Saara Hacklin: Yes, it is, but only in English. It’s not there in the Finnish title ‘Meno-paluu’ though, which would simply be ‘round

Listening Bodies, Sounding Spaces. An interview with Sandra Kazlauskaitė

Sandra Kazlauskaitė is a Lithuanian composer, sound artist and researcher, who for the last decade has been based in London. In her artistic practice, Sandra explores aurality in conceptual terms, creates sonic collages, acousmatic compositions, audiovisual installations and compositions for

Archetype as a Way of Communicating: Individualism through Universalism as a Way of Creating. An interview with Rūta Jusionytė

Rūta Jusionytė (b. 1978) is a painter and sculptor. We started our conversation with the artist in her studio in Paris, surrounded by the cheerful buzz of children, where the sounds of the French and Lithuanian languages are common. Born

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