Differences in Meaning over Time. A conversation with Eglė Ulčickaitė

The idea for this conversation came up last autumn. At the time, as I was writing my MA thesis on the philosophy of Jacques Rancière, I was very preoccupied with working out how everyday objects become works of art, and

Exhibition as a crime scene. Ona Juciūtė in conversation with Viktorija Damerell

Viktorija Damerell: It feels slightly awkward talking to you now: we talk so often, but this interview format also demands that we think of the reader. We’re here, just the two of us, but someone is listening. Do you feel

About Unreported Gaps. A talk with Amira Hanafi

I became aware of the work by the artist and writer Amira Hanafi (USA/EG, b. 1979) just after her exhibition ‘The Science of a Good Lie’ opened at the Sodų 4 project space in Vilnius (it ran from 25 October

Don’t Fall in Love with a Prop. A conversation with the photographer Vytautas Kumža

Vytautas, this time two years ago we were preparing for your exhibition ‘Trust It, Use It, Prove It’ at the [si:said] gallery. Having graduated from Vilnius College of Design and studied at the Royal Academy of Art in The Hague,

A FEMINIST, DE-COLONIALIST AND UNYIELDING POSITION. An interview with Eli Cortiñas

Eli Cortiñas was born in 1979, in Las Palmas de Gran Canaria, Spain, and lives and works in Berlin. She studied at the Academy of Media Arts in Cologne, and at the European Film College at Ebeltoft in Denmark. Since

Collecting Experiences. A Conversation with the Curator Liutauras Pšibilskis

Lolita Jablonskienė: We have known each other for a long time, since the memorable period in the 1990s which brought great changes to Lithuania. However, you left Lithuania at the end of the decade: you studied in London, collaborated with

10th Young Painters Prize Award. Interview with Julija Dailidėnaitė

‘An artist versus an art critic’; ‘an exhibition hall versus the curious and judging gazes of viewers’—the art world thematises these opposites with a natural regularity. For instance, The So-Called Critics—a painting made by Kasiulis as early as 1942—is one

Signs of the Apocalypse on the Beach. An interview with artists Vaiva Grainytė, Lina Lapelytė and Rugilė Barzdžiukaitė

We already know the forecast for Venice in 2019: the summer will start early, and will be hot and loud. A full sandy beach, the burning sun, the blue sea and all the holidaymakers tanning themselves will be transferred to

Questions from the non-creating artist J.L. to the artist A.T. at the beginning of her creative career, or an inverse interview between the art critic A.T. and the artist J.L.

The article is written by Juozas Laivys and Aušra Trakšelytė Almost every day we read curators’ writings, short or elaborate, poetic or descriptive, that accompany exhibitions. However, in the long preparatory process for an exhibition, which is the job of

A conversation with Mindaugas Gapševičius about self-repair and cohabitation with machines

I met Mindaugas Gapševičius (miga) and joined the Migrating Art Academies project that he initiated in 2013, followed by many further projects with Institutio Media. We have been communicating by email since then, using this abstracted and reduced means for

EVENTS

BALTICS OUTSIDE BALTICS

CALLS